Congratulations to Fiddle Tim, whose entire debut exhibition Scumfuck, was completely SOLD OUT –and also made it into the Huffington Post!

There was a spectacular turnout for last night’s opening reception, and the gallery line was ringing off the hook with long distance phone calls from patrons on the east coast and Europe maintaining late hours to secure their purchases once news of this show hit the wire.

Lauren Gardiner is also on the verge of a complete sell out, with only one painting from her exhibition, Unfit Saints, unsold as of this writing. This would be her second consecutive sold out show after last year’s Royalty Before Surgery, and I’ll be surprised if it’s not off the market by the time the first bottle rockets whistle skyward tomorrow.”St. Agatha: Patron Saint of Bigfoot” is actually quite large by Lauren’s standards, but still only measures 8.25″ x 9.5″
(with doors opened).

Damian Fulton seemed to be holding court with a constant flow of friends and colleagues from surf, animation and advertising circles and was offered a publishing deal right there at the opening! I promise to disclose the details as everything becomes more concrete, so meanwhile, you can follow the adventures of “Sue Nammi” right here on the gallery walls as part of Damian’s latest magnum opus Surfploytation!

Robert Palcios‘ work complements it perfectly on the two opposing walls that house Gallery I. His Loteria themed show, Game of Life, garnered comparisons to both Mark Ryden and Jose Guadalupe Posada.

Frijol Boy and Cristina Paulos each drove in from Las Vegas to revel in the carnival atmosphere of the La Luz de Jesus Independence Day Weenie Roast. Each has explored different routes from animation to fine art, with spray acrylic and reclaimed paper playing a major part in their respective exhibitions. Michael Brown was unable to attend, but Alyson Souza was on hand to discuss her gorgeous oil on wood and multi-media constructions.

If you missed the opening, you got just under 30 days to catch it!

In five days we welcome New Texture Publishing for the L.A. Weekly’s Pick of the Week for Thursday, July 8th. Josh Alan Friedman will be playing guitar and reading from his book Black Cracker, the heartbreakingly funny four-year odyssey of the only white kid at the last segregated school in New York. He’ll of course be signing copies of his book, and he’s bringing along friends Chris D. (of The Flesheaters and Divine Horsemen fame) to read and sign his collection, A Minute to Pray, a Second to Die, and publisher/author Wyatt Doyle, who’ll be signing his Los Angeles bus memoir, Stop Requested.

So there you have it: at least eleven reasons to get your tookus on down here!
See you soon.

On Friday night Rick Araluce debuted his latest collection of painstakingly crafted miniatures -his first area exhibition in over a decade and a half. There hasn’t been an art event this important in a good long time, and the names that come to mind by way of comparison are Koons, Hirst, Murakami and Ruscha.

If you haven’t visited the New La Luz de Jesus, you really need to get in here!

Rick’s miniature masterpieces are crafted with a level of detail that would drive lesser (ie. most) men mad. Handwritten letters are rendered in nano script. Wallpaper, tiles and bricks are each designed by hand to maintain the illusion achieved in these micro-scale decors. Araluce has built working light switches, bulbs and clocks that wouldn’t dwarf an insect, and designed end pages for books stacked 42 high, barely thick as a thumbnail. He makes everything -including the boxes that house the pieces, by hand. Inside the opened doorway of the piece pictured is a microscopic painting, that can only be seen from the extreme left side. Rest assured that tiny is the next big thing!

Click here, if the video player doesn’t work.

Christopher Ulrich is a painter of surreal, iconographic images. He is influenced by the richness of ancient mythology, the mystery of alchemy, and the vastness of cosmic reality. Illuminating this dark journey with insight, heart and determination he strives to understand the unraveling revelation that reveals itself in the work. Christopher began his exhibition life with the first of three major experiments, The Demoneater Series,

"Demoneater" opens May 1st @ GCAC, Santa Ana

which has been published as a prestige edition, hardcover book. Demoneater consists of 15 “Keys” to 15 “Doors,” all of which depict black, mirrored reflections of a single character. This alchemical allegory was first shown at the Bergamot Station on November the 2nd (Day of the Dead) 2007, exhibiting through January 2008. The series is being presented again at the Grand Central Art Center Museum at CSUF, and this time the works are available for purchase.

These works are puzzle pieces to a greater whole: a grand tapestry called The Christ Chronocrator Project. After creating new works for a monthly series of group showings, Christopher opened a new exhibition of large format paintings and small illustrations in conjunction with new works by Carrie Ann Baade and KS Rives at Billy Shire Fine Arts. “The Fourth Enochian Key” ran from June 14th through July 4th, 2009. Ulrich has since begun work on the second series of his alchemical masterwork entitled, “Illuminator: The Royal Wedding,” (study pictured left) which debuts at La Luz de Jesus Gallery on August 6, 2010.

All Doors measure 48″ x 96″; all Keys measure 24″ x 24″. All paintings are oil on framed panel. The frames add an additional two inches around the art surface. Contact La Luz de Jesus Gallery for availability and purchase info: (323) 297-0600

These masterpieces have all been published and now have museum pedigree. Ulrich’s work is in several very prominent collections, making these few available paintings an absolute steal. With the Demoneater retrospective opening on May Day (May 1st), and Illuminator debuting on August 6th, this will be the summer of Ulrich!

Also showing at the Grand Central Art Center at CSUF is artist in residence, Laurie Lipton, who will launch her “Machine Punk” exhibition (see image at right) at La Luz de Jesus Gallery on November 5th. We’re super excited to be working with Laurie who will also have a piece in the Art of the Lowbrow Tarot Project, premiering in October at La Luz de Jesus. The exhibition will feature sculpture, assemblage, painting and illustration while presenting the Major Arcana of the classic tarot deck. The opening weekend will also herald a book & deck release party!

This landmark project features several La Luz de Jesus alumni, like Christopher Ulrich, Chris Mars, Jessica Joslin, Daniel Martin Diaz, Carrie Ann Baade, Danni Shinya Luo, Jennybird Alcantara, Heather Watts, Scott G. Brooks, and Patrick “Star27″ Deignan. The additional talent is composed of Matthew Bone, Brian Viveros, Kris Kuksi, Chet Zar, Molly Crabapple, Cate Rangel, Edith Lebeau, C.C. Askew, Claudia Drake, Angie Mason, David Stoupakis and guest curator Aunia Kahn.

It’s hard to believe that it’s almost been a week since we completed construction on the New and Improved La Luz de Jesus Gallery, but here we are in the first week of Eastertide. If you haven’t seen the Scott Hove “Iced Out“ exhibition, you need to drop what you’re doing right now and come check it out. This is a show that warrants a “live” perspective.

If you missed the opening reception, you missed an extravagant assortment of delicious desserts from the Nickel Diner. With all those Scott Hove cakes on display, we knew the crowd would be hungry, and they voraciously vacuumed the maple bacon donut holes and potato chip and peanut butter cupcakes. The refreshments, supplied by Nakhon Brewing, were much appreciated and paired well with the savory and sweet snacks.

The best surprise for Scott Hove fans of was the chance to pass through a gallery of Dennis Larkins and Max Grundy paintings before arriving at the cakeland sculptures. Dennis was also on hand Saturday to sign copies of his latest tome of three dimensional relief paintings, “Startling Art,” published by Last Gasp and available for sale in the gallery.

Max Grundy was similarly busy this weekend -welcoming a beautiful baby daughter into the world! Congrats to proud new parents Max and Candace! Of course, LA Weekly readers got a preview of Grundy’s “Out of Order” show when his title piece accompanied the Easter Sunday spotlight in the Go LA section.

Families flocked to our expanded Los Feliz digs and bought Bruce Eichelberger’s etched eggs and other Eastery delights.

The three exhibitions are up all month long, and the work is extraordinary. Just in time for your Tax Refund check!

And speaking of tax, the Rogue Taxidermy Exhibition is coming soon, so be sure to sign up for the online preview by joining our email list.

The construction is done, and the installation is in process for the inaugural exhibit at the new addition to La Luz de Jesus Gallery for our grand rebirth / reopening on April 2nd. As you read this, Scott Hove and Billy Shire are hard at work assuring that Gallery II will be fully assembled for the opening reception this Friday at 8PM.

When we decided to close BSFA last month, it was part of bigger plan that centered on a redesign and expansion of La Luz de Jesus Gallery. The exhibition schedule for 2010 was built around this planned construction, and the new space allows for multiple exhibitions to cohabit under one roof. The combined infrastructure enables edgier content and a return to the cutting edge exhibitions of our golden age when we launched the lowbrow and pop-surrealism movements of California art. Scott Hove’s “Iced Out” exhibition, alongside Max Grundy’s “Out of Order” and Dennis Larkins‘ “Read Between the Lines” were conceptualized with the new space in mind. Scroll down for previews of these first three exhibitions at the new, double-sized La Luz de Jesus Gallery.

Scott Hove’s work encompasses a broad variety of media, from sculptural installations to painting. “Iced Out” is a celebration of the artificial, and acknowledges our tendency to embrace illusion in order to feel safe and receive emotional gratification. The fake cake sculptures, with their display of beauty and potential for satisfaction, lure the viewer into a sense of anticipation, but also create a sense of anxiety and fear.
Among the highlights are a seven-piece cake chandelier and a demo of the cake vault, which is an enclosed structure -partly Alice in Wonderland, but entirely Scott Hove. (Click here for a video tour)

We have never exhibited anything like this before!
In keeping with the cake theme on Easter Weekend, The Nickel Diner’s master pastry chef, Charlena Fong is making some extravagant sweets and the All American Softy truck will be parked out front to supply ice-cream and other snacks.

Long time Grateful Dead artist Dennis Larkins returns to La Luz de Jesus on the same evening with a new batch of three dimensional relief paintings that provoke, disturb and amuse. Dennis is longtime La Luz alumni, and his freshest batch of textured oil and acrylic works will dominate a display that includes classic and rarely seen work as well. He’s fresh from an exhibition at the New York Historical Society, and just in time for the premiere of his new graphic volume Startling Art: the Revealing Art of Dennis Larkins, which he’ll also be signing on Saturday, April 3rd from 6-9 PM.

He’ll be in attendance with Scott Hove and Max Grundy, who is unleashing his sophomore show here at La Luz de Jesus which includes neon sign in addition to his enamel works on aluminum and steel. Max’s work conveys a concept of the future from the perspective of the past. He infuses each image with rebelliousness, industry, freedom, conflict and impending disaster. By paralleling the Atomic Era and today’s times of terror, social and political pressures, Grundy gives his work a narrative that is both familiar and unprecedented. Created with enamel on aluminum panel, “Out of Order,” Grundy’s new body of work, portrays the tension created between man and technology and the impending apocalypse.

We’ve got cake.
We’ve got ice cream.
We’ve got the best damn art gallery opening you’re going to see this month!

Congrats to La Luz de Jesus‘ own JAW Cooper, who has three great paintings in the Kitsch ‘N Sync show, the same week that her art graces the cover of the LA Weekly! Cooper’s got a featured exhibition here in June, too, so be sure to sign up for her preview list on our constant contact sign up box. She’s been dropping hints about what we can expect, and I’m feverishly anticipating another faux-fur rug, because I know some hard-wood floors that need a stylish companion.

We expected a great turn-out on Friday, but we could never have expected over 2000 people!

The folks from SinoTequila were working overtime to blend enough margaritas for the ravenous crowd, and several artists had complete sellouts of multiple pieces. Brandon Steen, Frijol Boy, Jasmine Worth, Tennessee Loveless and Walt Hall all sold three or more paintings each, and many of our newbies experienced the very first gallery sales of their artwork. That list is far too extensive to list, but you can check out what’s sold and what’s available by clicking on the Current Exhibition link.

The following evening, we said goodbye to Billy Shire Fine Arts.

The live, musical performance by Unextraordinary Gentlemen was off the chain, and we were able to give away some mementos from the past five years’ exhibitions. The aesthetic that was established at BSFA will be incorporated into the new La Luz de Jesus, which will soon have a second enclosed space behind the current main gallery. Take a look at the upcoming shows and you’ll see what I mean.

Next month, Scott Hove will be taking over the new, second gallery space at La Luz de Jesus with his installation of surreal, anthropomorphized cakes. The exhibition, called Iced Out has already received coverage from Hi-Fructose, Boing Boing, Planet Oddity and The Food Network. Ace of Cakes -eat your heart out, as the centerpiece of this show is a gigantic cake chandelier that will hang suspended from the center of the ceiling in gallery II. We’ll be coordinating some other special events around this opening on April 2nd, which will likely involve some edible sweets to accompany visual ones, so check back for updates.

Dennis’ work is 3D relief sculpted paintings in acrylic on canvas and paper. He was just covered by the New York Times for his part in the museum hosted New York Historical Society Grateful Dead Exhibition, coinciding with the release of his book, Startling Art: Revealing the Art of Dennis Larkins, which he’ll be signing at La Luz de Jesus on Saturday, April 3rd from 6-9PM as part of the west coast release tour. Max Grundy’s paranoid propaganda paintings of enamel on metal are a hellacious futurama meets constructivism. Larkins & Grundy are La Luz veterans, and their work will juxtapose nicely with Scott Hove. Each will have prints, too. You’ve never seen anything quite like this, I promise you!

All good things must come to an end, and so on Saturday, March 6th, the Dave McKean exhibition Nitrate & Kinogeists will be ending. If you haven’t seen this extraordinary exhibition, this is your last chance. Dave’s meditations on silent cinema hang side by side with the posters from the Century Guild collection that inspired them. It’s his best work, and that says a lot when you consider that his resume includes over 300 album covers, some of the greatest art to ever grace a comic book cover, and let’s not forget that he directed the movie Mirror Mask.

There is still affordable art available for purchase in this exhibition, from original ink-brush drawings to archival prints, and we held onto stacks of hard to find and out of print art books, too. The piece Dave donated to the Haitian Disaster Relief Fund was auctioned for $6000, and it was smaller (and less detailed and iconic) than the pieces we’ve got for under $1000. We’ll be running the exclusive video installation throughout the day and night, too. When it ends, it gets sent to collectors and back to England, so the series of cinematic paintings won’t exist as a collection.

Saturday night will also be the end of Billy Shire Fine Arts in Culver City. This is the very last night.

We are leaving the historic 1925 Neo-classical landmark at 5790 Washington Blvd., Culver City, CA 90232 that served as the BSFA home since opening in April 2005.

But are we sad about it? HELL NO!

We’re throwing a party! And aside from an excellent liquor sponsor in the form of SinoTequila, we’ve got Nakhon Beer and and the finest snacks that Costco has to offer (until we run out). And it just wouldn’t be a party without a band so we’ve got legendary steampunk band Unextraordinary Gentlemen performing a full set at 8PM. DJ MP3 Sark (Ground Contol’s Andrew Holguin) will be holding it down on the wheels of steel throughout the night. Only time will tell if Billy Shire breaks out his harmonica, so artists bring your sketch pads! Photography is also welcome -just clear it with us first, ok?

How much does it cost to get into this shindig? NOTHING!
Just show our doorman your purchase receipt for $5 or more from Soap Plant, Wacko, La Luz de Jesus or Billy Shire Fine Arts, and you get in for free. That receipt must be less than nine months old, and it’s one receipt per person. Otherwise it’s up to our discretion -and we don’t pride ourselves on our discretion, ahem…

The party starts at 6PM, Saturday, March 6th, but we’ll be open from noon, so come see the McKean exhibition before the crowd gets there, then run over to Lebasse to check out the Yoskay Yamamoto and Yoshitaka Amano show, then come back to BSFA for the main event. It’ll end when it ends. This is a celebration of our patrons -the folks who have been supporting the gallery, and we want this to be a night to be remembered while surrounded by our friends, so feel free to pass along the good word.

Speaking of which, I’ve finished logging all of the accepted pieces in the Everything But the Kitsch ‘N Sync group show. There are 307 pieces from 150 artists. Pieces are already starting to sell, so don’t hesitate! That show opens this Friday, March 5th. 8-11 PM at La Luz de Jesus Gallery, 4633 Hollywood Blvd., LA, CA 90027.

This is the 13th anniversary edition. It’s a rad show if I do say so myself. I’ve corrected and updated the listing in my last blog, which also links to the artist pages now. There are about 75 images per page, and the artists are indexed alphabetically by first name. There are many first-timers, some veterans and a handful of future museum pieces. Stop by, and I promise to give you my top picks, so when you visit or call, be sure to ask for me (Matt Kennedy).
See you this weekend!

In less than two weeks (on Friday, March 5th) we’ll be unveiling our annual Everything But the Kitsch ‘N Sync group show. We sorted through tens of thousands of submissions and finalized the list of accepted works today. There are a handful of additional artists that will be included whom we are waiting to announce just before the show opens, but the vast majority are listed below. I know a lot of artists have been waiting to hear if they’ve made the cut, so if you are not included on the list below, the odds are fairly secure that you have not been accepted this year, but that doesn’t mean that we didn’t like your work. In many cases, pieces were too large to fit cohesively with the majority of approved selections. In some cases, the deadline prevented us from including some folks that otherwise would have been represented.

There were a lot of very strong contenders, but there’s only so much wall space, so without further ado, I announce the 2010 Kitsch ‘N Sync “Accepted” list:

Adam Strange
Adrian Dominic
Alan Kocharian
Alyson Souza
Amy Jeeye Lee
Andy Steele
Antonio Roybal
Apricot Mantle
Aya Masuda
Barry Fitzgerald
Ben A. Vierling
Bob Dob
Bonni Reid
Brad Parker
Brandon Morino
Brandon Steen
Brendan McCarthy
Brian Poor
Brienne Hranek
Bruce Gossett
Bryce Yoshito Takara
Caroline Hwang
Carl Lozado
Carlos Ramos
Cecilia Granata
Celene Petrulak
Chris Athens
Chris Roberts-Antieau
Christopher Umana
Conrad Haberland
Cristina Paulos
Da Kim
Damara Kaminecki
Damian Fulton
Dani Manning
Daniel Lim
Dara Harvey
Dave Dziemian
David K. Rose
David Russell Talbott
Davidd Batalon
Delphia
Dennis Larkins
Dion Macellari
Domenick J. Calligaro
Eben Dodd
Edward Kunze
Eric Richardson
Eunbyul Kwak
Everett Davidson
Flip Hayes
Frijol Boy
George Peaslee
George Thomas
Glen Davies
Gloria Chiu
Heather Watts
Henry Stinson
Howard Hallis
Hsin-Han Su
Hyejoo Son
Jack Howe
Janet Kim
Jared Tharp
Jasmine Worth
JAW Cooper
J.D. Fiedler
Jennifer Jelenski
Jessica Dalva
Jessica Ward
John Stewart Berger
JoKa
Jon MacNair
Julia Romanenko
Junichi Tsuneoka
Katerina Perdue
Kathy Braceland
Krys Sapp
Kyle Henry
Lance Richlin
Laura Borchert
Laura Einowski
Lea Barozzi
Leslie Ditto
Liane Shih
Liz Brizzi
Liz Mamorsky
Lyle Motley
Mark Gleason
Martin Kanshige
Mary Fleener
Mary Syring
Matjames Metson
Max Grundy
Megan Majewski
Michael Brown
Michael Pukac
Michael Stansell
Michelle An
Mickey Edtinger
Mike Maas
Mike Sosnowski
Mikel Parton
Miles Thompson
Nathan Ota
Nicholas Harper
Nicole Bruckman
Norbert H. Kox
Olga T. Mosque
Partricia Anders
Patrick “Star27” Deignan
Patrick Fatica
Paul Barrow
Peter Adamyan
Pol Turgeon
Rachel Bensimon
Rachel Fujii
Raya Golden
Richard Frost
Robin Fuqua
Rodrigo Cifuentes
Ron Adkins
Ron Velasco
Ruel Pascual
Rusty Sherrill
Scott Holloway
Sean Stepanoff
Shark Toof
Sheri DeBow
Stephanie Henderson
Stephen Holman
Steve Bartlett
Sunny Gu
Tamara Guion
Tammi Otis
Taylor Christensen
Tennessee Loveless
Thea Saks
Thomas Lynch III
Trevor Brown
Walter Hall
Winifred Johnson Brewer
Zachary Schoenbaum

The focus has always been to grant exposure to emerging talent while showcasing them alongside established names, and that esthetic remains more true than ever before this year. In fact, we have the highest concentration we’ve ever had of artists making their art gallery debut in this exhibition. Add to that a wide percentage of professionals making their Los Angeles and North American debuts, and that makes this an exhibition you really can’t afford to miss. There are a number of pieces that I would love to purchase outright, but I made a decision when I took this job to allow our patrons first right of purchase to insure that our artists’ work makes it into the hands of collectors, enhancing the buyer-base. I’ve always thought it a slap in the face of loyal supporters when the gallery buys the best pieces before the show opens.

But if you snooze, you will lose, because I am definitely going to be buying a few of these pieces in the second week of exhibition. So on your marks, get set…

A preview will be posted on Monday, February 1st, so be sure to check back soon.
If you spot someone on the above list for whom you want to que for an advance purchase option, please shoot me an email at info@laluzdejesus.com.

Get in on the ground floor of some great careers building before our very eyes!

By an amazing coincidence, on the morning of the opening reception (March 5th) we are expecting to receive a heavy restock to the blind box collection at Wacko. Most people probably don’t realize that Wacko maintains the largest inventory of these highly collectible toys in Southern California, so by the time the opening reception is underway, the toys should be out on the shelves, giving yet another good reason to get out to La Luz de Jesus for the Kitsch N Sync show.

When I was growing up in Lynn, Mass, the only link I had to the vibrant, angsty Los Angeles Punk scene was the photography of Ruby Ray in the seminal fanzine Search & Destroy. Her images of those bands (from The Dils to The Germs to X) were a window into a secret world that would became the soundtrack to my teenaged rebellion -about a decade later!

As I drifted from punk to post-punk and modern primitive industrial music, I came to realize that Ruby had beaten me to the finish line there, as well. When I moved here in 1991 and first stepped foot into the Melrose location of Soap Plant, I was greeted by a row of RE/Search publications, completely oblivious to the fact that Ruby Ray had co-founded the magazine that supplied the content for most of those books a little over a decade earlier.

That Ruby Ray has been influential to the counter-culture is indisputable, but the extent of her influence is criminally underrated. In the almost 25 years that La Luz de Jesus has been in existence, there have been about a handful of photography exhibitions. It’s not a medium that we dabble in lightly, so when we actually do decide to host a photography show, you can bet your bippy that that it’s going to be extraordinary. Convulsive Beauty: First Wave Punk Photography is that type of show, and Ruby Ray will be attending her opening reception, Friday, February 19th from 8-11 PM. To further cultivate the proper D.I.Y. spirit, we’ve got Drive-By Press in the back-lot doing custom woodblock printing on T-Shirts while their favorite mobile DJ goes full ninja on the wheels of steel.

Not enough for you? We’ve got a gourmet catering truck out front and two beverage sponsors! Sino Tequila and Nakhon Beer are providing a shot and a beer for select patrons of legal drinking age, too.

Still not enough? Ok…

On Saturday, we’ll be hosting Joey Ramone’s brother Mickey Leigh to read and sign his book I Slept With Joey Ramone, which is a compelling, behind-the-scenes biography of the punk rock life of the Ramones as told by someone who lived it. Mickey will be bringing along Rock n Roll High School alumni Alan Arkush and PJ Soles, as well as punk rock musician and disc jockey Howie Pyro. The event runs from 6-9 PM, so you can cruise in on your way out to the clubs!

PUNK IS NOT DEAD!

We’ve still got the Danni Shinya Luo, Kim Scott, Miran Kim and Transmission Atelier exhibitions hanging in the front gallery of La Luz de Jesus, so if you haven’t seen them yet, you’ve now got a great second reason to do so.

And lastly, if you missed the Dave McKean opening reception last Saturday, you missed an incredible discussion about the significance of art and humanity between Howard Hallis, Brendan McCarthy, Dave McKean, Grant Morrison, and Danni Shinya Luo as Century Guild curator Thomas Negovan, Gail Potocki, Kent Williams and I eavesdropped. It was magical! While you can’t see exactly that this weekend, you can see the video installation that Dave McKean assembled for his exhibit and the Century Guild poster collection that inspired his paintings. There are still one or two ink drawings available for purchase, too.

So from Punk to Steampunk, we’ve got all your bases covered. Check back here next week for the Everything But the Kitsch N Sync group show ACCEPTED list, and details about the Billy Shire Fine Arts closing party.

One of the perks of this job is getting to work with truly amazing people all of the time. But occasionally, I get to collaborate with people who have had a direct impact on my life. Such is the case with Dave McKean.

Dave McKean is what we used to refer to as a “hyphenate.” He’s a multi-talented illustrator-photographer-comic-book-artist-graphic-designer-filmmaker-musician, who just happens to excel at each one of his specialties.

As an artist, Dave McKean changed the look of comic books when his illustrated-photo-assemblage works began gracing the covers of Neil Gaiman’s reboot of the Sandman character at DC Comics. He next tackled an incredibly ambitious Batman tale that focused not on the caped crusader, but instead on the mental institution that housed the more macabre among his rogues’ gallery. That story written by Grant Morrison was Arkham Asylum, and it quickly became (and remains) one of the best selling graphic novels of all time. His comic book works have won numerous well deserved accolades and awards, but he’s also won a World Fantasy Award for “Best Artist,” three Spectrum Awards in the categories of “Advertising”, “Book”, and “Comic,” A British Science Fiction Award in “Short Fiction” (shared with Neil Gaiman), and his film directorial debut, MirrorMask premiered at the Sundance Film Festival in 2005. His concept designs shaped the look and feel of two entries in the Harry Potter film series, and if your CD collection veers on the darker side of pop, metal, and avant-garde, odds are you’ve got a few Dave McKean images there, too. Did I mention that he’s an accomplished jazz musician and discerning foodie?

So it would be an understatement to say that I’m feverishly proud to welcome Dave McKean this weekend at two incredible events:

On Friday, February 12th, from 6-9 PM, Dave is signing comics, books, DVDs, CD’s and limited edition art prints at La Luz de Jesus Gallery (inside the Soap Plant / Wacko complex at 4633 Hollywood Blvd., LA, CA 90027). For every item that purchase at the signing, Dave will sign one item that you bring from home. NO EXCEPTIONS! So don’t bring your entire collection of Sandman comics for him to autograph unless you plan on buying 75 items at the signing. He’s a wonderful guy and he’ll be happy to speak with you and answer questions -especially about his new body of work, which is debuting on Saturday night at Billy Shire Fine Arts.

New Works from Early Cinema is showing in conjunction with Nitrate & Kinogeists, an event sponsored by Chicago’s Century Guild and includes highlights from their inventory of historically significant and undeniably beautiful silent film posters, most of which have been lost and unseen by the public before now. In addition to large format paintings, Dave has included a series of ten smaller ink illustrations that are priced for fans. Believe me -you can totally afford these, so check out the preview on Thursday evening. Whether you’re a comic book fan or a patron of the fine arts, if you’ve been looking to add a McKean original to your collection, this is your opportunity to do so. There are also some limited edition prints for which this will be a Release Event.
Since the exhibition references and pays tribute to lost films from the silent era, there will be Video Installation with two screens playing footage of recently unearthed and restored films previously thought lost.
The artist’s reception is Saturday, February 13th, from 7-10 PM at Billy Shire Fine Arts, 5790 Washington Blvd., Culver City, CA 90232. A full and complete preview will be available by Thursday evening. The paintings and posters are live on site now.

Hello everybody!
I’m Matt Kennedy, the director of La Luz de Jesus Gallery. Some of you O.G. scenesters may remember me from back in the golden age of lowbrow when I was the manager at Billy Shire’s original Melrose location where I worked alongside gallery director Alix Sloan (and actually hired artists like Aaron Smith and Christian Clayton as gallery personnel) until 1995, when Billy Shire relocated the whole Soap Plant / Wacko operation to Los Feliz, and I entered the entertainment business.

I did a lot of acting, a bit of recording, a healthy amount of producing, and ran a few video labels that earned me the type of Geek street-cred that I’d always longed for. I even moled myself into the studio system and somehow managed to keep aware of the emerging and established  talent in Chicago, Los Angeles, New York, Tokyo, London and elsewhere. As a patron I probably kept a few of the smaller galleries in business, and consider myself fortunate to have been presented with an opportunity to return to my roots in the Shire Empire and reacquaint myself with the artists whose careers were launched in those heady days of the early to mid 90s.

Back in May, I was presented with the opportunity to become a columnist here on Daily Dujour, and after nine months of waiting, I’ve finally been given my login info …and just in time for the 4 person exhibition that opens this Friday at La Luz de Jesus:

Danni Shinya Luo, Kim Scott, Miran Kim, Transmission Atelier

This is the first show that I’ve assembled completely on my own. When I first stepped back into the position as gallery director, the majority of the 2009 schedule was in place. As sometimes happens, there were a few re-schudules (and one rather public dropped show) that allowed me to bring some new talent to La Luz de Jesus and Billy Shire Fine Arts. I’m proud to have been the person that brought Christopher Ulrich and Myron Conan Dyal to BSFA, and to have given first shows to Jessica Dalva and Misato Otake at La Luz de Jesus. But mostly the position was one of a clerical/sales nature; managing the artists’ deadlines, contacting buyers, overseeing publicity and booking the ads. As I approach the close of my first year back, the role is much more of a balance between gallery director and show curator. I booked this Friday’s show back in July, and the joy of watching it open is difficult to express in words -least of all words that serve as an introduction.

Having seen the work in this show, I couldn’t be prouder of Shinya, Miran, Kim and Jim (aka Transmission Atelier).

With the consolidation of BSFA back into La Luz de Jesus, I feel like I’m finally getting a chance to do what I do best, and that’s to take the years of experience I have (marketing niche media) and steer it into the heart of my greatest passion -art. I’ve been overseeing a complete redesign of the La Luz de Jesus website, I’ve set up Artofficial: the official La Luz de Jesus Gallery Art Blog, and most recently launched a La Luz de Jesus Art YouTube page. The first video I’ve produced for the new blog and YouTube page is a studio visit with Danni Shinya Luo. It’s something of a trailer for her Spiritual Deficiencies exhibit, which opens this Friday alongside Miran Kim’s Uncomplicated Treats, Kim Scott’s Peep Holes and Magic Boxes, and Transmission Atelier’s If the Shadows Could March.
We’ve got a new beverage sponsor, NAKHON, and we’re expecting a special visit from a very special catering truck, too. We know how to throw a party around here and I encourage you all to come on down.

I also had my friend Jennifer do a Studio Visit with Karen Miso Hsiao, whose The Cold Returns show will be closing at CHG this Saturday. It’s a great show and I encourage you to check it out while you still can. If the link doesn’t work, you can access her video on the La Luz de Jesus Art YouTube page.

See you this weekend in the flesh, and back here next Wednesday!

We’re happy to welcome Matt Kennedy as Dailydujour’s newest guest blogger. Matt is the new gallery director at both La Luz De Jesus and Billy Shire Fine Arts.